A few of the problems of live sound mixing inside are reflections and standing waves developed by the dimensions and shape of the rooms and the position of the stage in the room. This changes with an outdoor venue. There could be few or no reflections by having an outdoor stage hire. If you can find reflections, there’s usually a considerably longer delay before they come back to the stage. Sometimes specific frequencies will reflect from some surface but other frequencies won’t be reflected to exactly the same extent. Often there will be less issues with feedback on an open outdoor stage hire. When there is a roof it is usually greater than in a team stage situation. Also there might be no walls or perhaps a right back wall to reflect sounds back again to the microphones. Make a search on the below mentioned site, if you’re looking for additional information about 10m festival stage.
Inside stages with close walls and ceiling can reflect sound back to the microphones whereas outside this is often not a problem. You will find probably be cancellation and reinforced areas which are dependent on speaker location. These could be more predictable with outdoor stage hire sound. If you use a pile on each side of the stage including subs you will have strong low end in the middle of the venue but there is likewise cancellation points off target each side, usually involving the center-line and the stacks. From a situation directly before either stack you may hear the specific balance of the mix. Depending on the design of music and the quantity desired a speakers may require more power and more speakers for an outdoor show. You may even need to mike some things that are not needed in a club venue. Outdoor stages hire tend to be bigger compared to the stages in clubs, which means you won’t have as much bleed to the vocal mikes and other live mikes on stage.
If you have the correct equipment it is easier to combine outdoors because you are not fighting the sound problems inherit in a room. You may need to have input from each instrument as well as your vocal mikes. You may also find benefit when working out doors to hold overhead mikes on the drum kit. Cymbals may bleed into vocal mikes on a team stage but may be lost on an outside stage. Also miking each individual drum will give you more control when you have the mikes and channels available. Guitars and keyboards may have to be in the mix for balance and dispersion. Many guitar cabinets tend to be beamy and the sound can disappear axis often influenced by frequency. The monitor system could also need to be stronger for a sizable outdoor stage hire. Musicians may require more things within their monitors for timing. More monitor mixes are also desirable for outdoor venues. Usually for events other than concerts four mixes will continue to work well. A stage right, center stage, stage left, and drum mix will allow you to provide the musicians what they need to hear generally in most cases.